Bibliographie

Référence

Elizabeth MORRISON (éd.), Thomas KREN (éd.), Flemish Manuscript Painting in Context, Recent Research, Los Angeles, The J. Paul Getty Museum, 2006

Contient (15)

• Lorne CAMPBELL, « Jan van der Scaghe and Anne de Memere, the first owners of the Hours of 1480 in the Abbey Library at Nova Rise », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 1-8, 5 fig.
• Catherine REYNOLDS, « The undecorated margin, The fashion for luxury books without borders », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 9-26, 12 fig.
• Chrystèle BLONDEAU, « A very Burgundian hero, The figure of Alexander the Great under the rule of Philip the Good », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 27-42, 12 fig.
• Margaret SCOTT, « The role of dress in the image of Charles the Bold, Duke of Burgundy », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 43-56, 10 fig.
• Nancy TURNER, « The suggestive brush, Painting techniques in Flemish manuscripts from the collections of the J. Paul Getty Museum and the Huntington Library », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 57-74, 31 fig.
• Lieve WATTEEUW, « Flemish manuscript production, care, and repair, Fifteenth-century sources », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 75-86, 3 fig.
• Lorne CAMPBELL, « Rogier van der Weyden and manuscript illumination », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 87-102, 26 fig.
• Stephanie BUCK, « On relationships between Netherlandish drawing and manuscript illumination in the fifteenth century », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 103-116, 12 fig.
• Jan VAN DER STOCK, « Flemish illuminated manuscripts, Assessing archival evidence », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 117-122
• Gregory T. CLARK, « The Master of Fitzwilliam 268, New discoveries and new and revisited hypotheses », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 123-134, 12 fig.
• Dominique VANWIJNSBERGHE, « Marketing books for burghers, Jean Markant's activity in Tournai, Lille, and Bruges », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 135-148, 14 fig.
• Elizabeth MORRISON, « Iconographic originality in the oeuvre of the Master of the David Scenes », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 149-162, 11 fig.
• James H. MARROW, « Scholarship on Flemish manuscript illumination of the Renaissance, Remarks on past, present, and future », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 163-176, 7 fig.
• Jonathan J. G. ALEXANDER, « One hundred years of the study of Netherlandish manuscripts », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 177-181
• Richard GAY, « Scribe biographies », Flemish Manuscript Painting in Context. Recent Research, Los Angeles, The J. Paul Getty Museum, 2006, p. 182-188, 5 fig.

Description

198 p. : ill. ; 28 cm

ISBN

0-89236-852-7

Genre

Colloque

Type

Livre

Cote IRHT

ICO. X 2287 (4°) [Condorcet 2.066, Etude]

Notes

Actes des colloques de Los Angeles, J.P. Getty Museum, 2003 et Londres, Courtauld Institute, 2004. Index (incomplet pour les mss cités).

Manuscrits dans Initiale (0)

Mots clés (4)

manuscrit enluminé

Flandre

15e s.

16e s.