Bibliographie

Référence

Brigitte DEKEYZER (éd.), Jan VAN DER STOCK (éd.), Manuscripts in Transition, Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15)

Contient (42)

Samuel IJSSELING, « Texts and images », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 1-6
Brigitte DEKEYZER, « From word to image, The illustration of 'religious' manuscripts throughout the middle ages », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 7-21
Pierre Alain MARIAUX, « Le souvenir de Constantin autour de l'an mil », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 23-30
Diane REILLY, « The roots of Capetian royalty and the Saint-Vaast Bible », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 31-39
Florence MOLY-MARIOTTI, « Le Taqwim-as-sihha, traité de médecine arabe et sa diffusion en Occident, Texte et illustrations », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 41-54
Priscillia PELLETIER-GAZEILLES, « 'Recyclage' d'images dans un manuscrit des Enarrationes in psalmos de Saint Augustin », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 55-64
Richard GAMESON, « A scribe's confession and the making of the Anchin Hrabanus (Douai, Bibliothèque Municipale, ms. 340) », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 65-79
Rosa ALCOY I PEDROS, « Les illustrations recyclées du Psautier anglo-catalan de Paris, Du douzième siècle anglais à l'italianisme pictural de Ferrer Bassa », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 81-92
Esther W. GOLDMAN, « Maimonides' illustration of the Temple in Jerusalem as a model for later copies », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 93-98
Harald WOLTER-VON DEM KNESEBECK, « Das Wolfenbütteler Musterbuch in seinem sächsischen Umfeld », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 99-108
Alison STONES, « Seeing the walls of Troy », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 109-125
Johanna Chr. GUMMLICH-WAGNER, « Zur gotischen Buchmalerei in Köln vor Johannes von Valkenburg », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 127-137
Jacqueline THIBAULT SCHAEFER, « Modulations of moduli in the Tristan illuminated manuscripts, Secular 'Tryst' and biblical 'Temptation' scenes », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 139-148
Adelaide BENNETT, « Devotional literacy of a noblewoman in a Book of Hours of ca. 1300 in Cambrai », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 149-157
Yona PINSON, « Devil and god, filth and purity in Pucelle's Hours of Jeanne d'Evreux (ca. 1325 - 1328) », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 159-171
Lynda DENNISON, « Transformation, interaction and integration, The career and collaboration of a fourteenth century Flemish illuminator », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 173-191
Susan MARTI, « Assoziative Kompilation, Psalterminiaturen von Ordensfrauen », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 193-201
Hana J. HLAVACKOVA, « Antiphonary from Stift Vorau », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 203-210
Milada STUDNICKOVA, « The material recycling of the Antiphonary of Vorau », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 211-216
Julia DROBINSKY, « Recyclage et création dans l'iconographie de Guillaume de Machaut (quatorzième-quinzième siècles) », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 217-224
Herman Th. COLENBRANDER, « Scripta manent : Jacquemart de Hodin, painter from Mons? », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 225-233
Albert CHATELET, « La vision de l'antiquité de Jacques Coene », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 235-239
Lieve WATTEEUW, « ... Pour avoir nettoyé et relyé ij grans livres appartenant à Monseigneur ..., Documentation concerning the fifteenth-century care of manuscripts in the Burgundian Library », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 241-251
Andreas BRÄM, « Zum adaptierten Stifterbild in der spätmittelalterlichen Buchmalerei », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 253-261
Michael T. ORR, « Tradition and innovation in the cycles of miniatures accompanying the Hours of the Virgin in early fifteenth-century English books of hours », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 263-270
Saskia VAN BERGEN, « The production of Flemish books of hours for the English market, Standardization and workshop practices », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 271-283
Katharina SMEYERS, « Iconographic cycles in Légendes dorées (fourteenth-fifteenth century) : Constants and variables, A case study : Arundel (West Sussex), collection of the Duke of Norfolk », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 285-290
Margriet HÜLSMANN, « Variation in page layout in Dutch books of hours as evidence for localization, Developing a method for qualitative and quantitative research », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 291-299
Frédérique JOHAN, « Un exemple de réemploi stylistique et pictural emprunté au 'Maître de Wavrin', Le Petit Jehan de Saintré », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 301-307
Jacques Charles LEMAIRE, « Le manuscrit Paris, Bibliothèque Nationale de France, ms. fr. 12601 est-il sorti de l'atelier du Maître de Wavrin? », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 309-315
Anne DUBOIS, « Interpénétration des manuscrits et des incunables, L'exemple de Lyon et du Chantilly, Musée Condé, ms. 833-834 », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 317-323
Pierre HAMBLENNE, « Quelques manuscrits de Bethléem (Herent) », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 325-334
Elizabeth L'ESTRANGE, « Anna peperit Mariam, Elizabeth Johannem, Maria Christum, Images of childbirth in late-medieval manuscripts », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 335-346
Mark EVANS, « The politicized page, The Sforza succession and humanist book decoration in Milan », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 347-355
Thomas KREN, « The importance of patterns in the emergence of a new style of Flemish manuscript illumination after 1470 », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 357-377
Anne Margreet W. AS-VIJVERS, « Recycling the Huth Hours, The Master of the David Scenes and the making of the Brukenthal Breviary, or: the Ghent Associates and the contribution of Simon Marmion to Ghent-Bruges manuscript painting », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 379-390
Gregory T. CLARK, « Beyond Jacquemart Pilavaine, Simon Marmion, and the Master of Antoine Rolin, Book painting in the Hainaut in the penultimate decade of the fifteenth century », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 391-398
Diane G. SCILLIA, « Composing the 'Raising of Lazarus', ca. 1495 », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 399-405
Anne-Marie LEGARE, « Du nouveau sur l'enluminure en Hainaut à la fin du moyen âge, Antiphonaire de l'Abbaye de Forest (Westmalle, Abbaye des Trappistes, ms. 9) », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 407-417
Annemarieke WILLEMSEN, « The game of the month, Playful calendars in Ghent-Bruges books of hours », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 419-430
Anja GREBE, « Transgressing the borders, The fortunes of Flemish book illumination in Southern Germany after 1500 », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 431-439
Helena SZEPE, « Distinguished among equals, Repetition and innovation in Venetian Commissioni », Manuscripts in Transition. Recycling Manuscripts, Texts and Images, Leuven, Peeters, 2005 (Corpus of illuminated manuscripts, 15), p. 441-447

Description

IX-490 p. : ill.

ISBN

90-429-1562-5

Genre

Colloque

Type

Livre

Cote IRHT

ICO. X 2171 (4°)

Notes

Index. Ce colloque 'gathers together some 40 contributions by art historians specialised in research into book illuminations from the time of Charlemagne to Charles V's Habsburg empire (ca. 800-ca. 1550). The accent is mainly on the art of the illumination in the Gothic, Burgundian and Post-Burgundian periods' ; le colloque a eu lieu en 2002 à l'occasion de l'exposition 'Medieval Mastery: Book Illumination from Charlemagne to Charles the Bold (800-1475)' (Leuven, Stedelijk Museum Vander Kelen-Mertens).

Manuscrits dans Initiale (0)

Mots clés (4)