Bibliography

Reference

David S. AREFORD (éd.), Nina A. ROWE (éd.), Excavating the medieval image. Manuscripts, artists, audiences, Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004

in (14)

• Stephen PERKINSON, « Portraits and counterfeits, Villard de Honnecourt and thirteenth-century theories of representation », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 13-35
• Cynthia HAHN, « The limits of text and image?, Matthew Paris's final project, the 'Vitae duorum Offarum', as a historical romance », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 38-58
• Anne D. HEDEMAN, « Making the past present in Laurent de Premierfait's translation of 'De senectute' », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 59-80
• Laura WEIGERT, « Illuminating the 'Arras Mystery Play' », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 81-106
• Jean C. WILSON, « 'Richement et pompeusement parée', The collier of Margaret of York and the politics of love in the late medieval Burgundy », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 109-133
• Ann M. ROBERTS, « The house and the hawk, Representations of Mary Burgundy as sovereign », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 136-150
• Véronique P. DAY, « Recycling Radegund, Identity and ambition in the Breviary of Anne de Prye », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 151-177
• Rowan WATSON, « Manual of dynastic history or devotional aid?, Eleanor of Toledo's book of Hours », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 179-195
• Sherry C. M. LINDQUIST, « 'Parlant de moy', Manuscripts of 'La Coche' by Marguerite of Navarre », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 198-221
• Jonathan J. G. ALEXANDER, « Giovan Pietro da Birago, illuminator of Milan, Some initials cut from choir books », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 225-246
• Roger S. WIECK, « Post Poyet », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 247-263
• Larry SILVER, « Ungrateful dead, Bruegel's 'Triumph of Death' re-examined », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 265-283
• Charlotte Daudon LACAZE, « Introducing Monsieur Gofond, a 'Peasant-Illuminator' from Saint-Rémy-de-Provence », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 287-308
• Michael BATTERMAN, « Genesis in Vienna, The 'Sarajevo Haggadah' and the invention of Jewish art », Excavating the medieval image. Manuscripts, artists, audiences. Essays in honor of Sandra Hindman, Aldershot, Ashgate, 2004, p. 309-329

Description

343 p. : 143 fig.

ISBN

0-754-63143-5

Publication category

Mélanges

Type

Book

IRHT shelfmark

ICO. X 2163 (8°)

Notes

Bibliographie et index. Bibliographie de Sandra Hindman, p. 331-333.

Manuscripts in Initiale (0)

Keywords (2)

manuscrit enluminé

époque gothique