Bibliography

Reference

Irving LAVIN (éd.), John PLUMMER (éd.), Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977

in (11)

• Jonathan J. G. ALEXANDER, « A Book of Hours Made for King Wenceslaus IV of Bohemia », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 28-31 : 7 fig.
• François AVRIL, « Un cas d'influence italienne dans l'enluminure du Nord de la France au quatorzième siècle », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 32-42 : 21 fig.
• Jan BIALOSTOCKI, « Man and Mirror in Painting, Reality and Transience », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 61-72 : 10 fig.
• Marvin EISENBERG, « A Late Trecento 'Custodia' with the Life of St. Eustace », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 143-151 : 19 fig.
• Reiner HAUSSHERR, « Eine verspätete Apocalypsen-Handschrift und ihre Vorlage », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 219-240 : 21 fig.
• Georg KAUFFMANN, « Meister Bertrams Engelsturz », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 249-260 : 4 fig.
• Herbert L. KESSLER, « The Chantilly 'Miroir de l'humaine salvation' and Its Models », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 274-282 18 fig.
• Robert A. KOCH, « New Criteria for Dating the Netherlandish 'Biblia Pauperum' Blockbook », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 283-289 : 11 fig.
• Marilyn Aronberg LAVIN, « The Mystic Winepress in the Mérode Altarpiece », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 297-302 : 8 fig.
• Carl NORDENFALK, « Hatred, Hunting, and Love, Three Themes Relative to Some Manuscripts of Jean sans Peur », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 324-341 : 14 fig.
• Charles STERLING, « Un nouveau tableau bourguignon et les Limbourg », Studies in late medieval and Renaissance painting in honor of Millard Meiss, New York, New York University Press, 1977, p. 415-429 : 16 fig.

Description

Publication category

Mélanges

Type

Book

IRHT shelfmark

ICO. X 0753 (4°) [Condorcet 2.066, Etude]

Manuscripts in Initiale (0)