Bibliography

Reference

Jeffrey F. HAMBURGER (éd.), Anne S. KORTEWEG (éd.), Tributes in Honor of James H. Marrow, Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006

in (55)

• Jeffrey F. HAMBURGER, Anne S. KORTEWEG, « 'Circumdederunt me amici multi', A tribute to James Marrow from his friends », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 11-15
• Jeffrey F. HAMBURGER, « Bibliography of James H. Marrow », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 17-20
• Alfred ACRES, « Elsewhere in early Netherlandish painting », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 23-33, 5 fig.
• Jonathan J. G. ALEXANDER, « A shepherdess on a swing in a Netherlandish book of hours », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 35-43, 6 fig.
• François AVRIL, « Un nouveau manuscrit de Jean Bourdichon, Les Heures de Charles de Martigny, évêque d'Elne », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 45-57, 11 fig.
• Gabriele BARTZ, « Adam wird ins Paradies getragen », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 59-64, 3 fig.
• Marina BELOZERSKAYA, « Good dog, Model canines in Renaissance manuscripts », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 65-74, 5 fig.
• Adelaide BENNETT, « Christ's five wounds in the Aves of the Vita Christi in a book of hours about 1300 », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 75-84, 6 fig.
• Paul BINSKI, « The faces of Christ in Matthew Paris's Chronica majora », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 85-92, 1 fig.
• Bodo BRINKMANN, « Happy End für einen Löwen », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 93-101, 6 fig.
• Klara H. BROEKHUIJSEN, « 'Ende ziet alomme int paradijs', Seth's vision of paradise as part of an unusual decoration programm in a fifteenth-century book of hours from Utrecht », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 103-116, 5 fig.
• Walter CAHN, « The Allegorical Menorah », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 117-126, 5 fig.
• Bert CARDON, « The Miroir de la salvation humaine revisited, Bibliothèque Nationale de France, ms. fr. 6275 », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 127-138, 6 fig.
• Debra Taylor CASHION, « The Man of Sorrows and Mel Gibson », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 139-145, 5 fig.
• Albert CHATELET, « L'enseignement paternel dans les Heures de Milan-Turin », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 147-154, 5 fig.
• Gregory CLARK, « 'Made in Flanders' and the Master of the Ghent privileges, A second coda », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 155-161, 5 fig.
• Henri DEFOER, « Images as aids for earning the indulgences of Rome », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 163-171, 6 fig.
• Christopher DE HAMEL, « Dates in the Giant Bible of Mainz », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 173-183, 2 fig.
• Albert DEROLEZ, « Two notes on Mercatel's earliest astrological manuscripts », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 185-188, 1 fig.
• Mark EVANS, « The afterlife of Saint Jerome, Giovanni Bilivert's portrait of Neri Corsini », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 189-196, 7 fig.
• Reindert L. FALKENBURG, « On compositional 'errata' in Pieter Aerten's peasant scenes », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 197-205, 2 fig.
• Marc GIL, « D'Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d'Antoine de Crèvecoeur, vers 1450 - 55, Leeds, University Library, The Brotherton Collection, ms. 4 », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 207-218, 5 fig.
• Liz GUENTHER, « Hugo van der Goes's Holy Laughter », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 219-230, 5 fig.
• Jeffrey F. HAMBURGER, « The writing on the wall, Inscriptions and desciptions of Carthusian crucifixions in a fifteenth-century passion miscellany », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 231-252, 8 fig.
• Christian HECK, « Histoire mythique et archéologie au quinzième siècle, Une représentation inédite de Stonehenge », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 253-260, 3 fig.
• Lynn F. JACOBS, « The miraculous threshold in Hugo Van der Goes's Portinari altarpiece », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 261-270, 4 fig.
• Eberhard KÖNIG, « Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 271-283, 7 fig.
• Joseph Leo KOERNER, « Bosch's enmity », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 285-300, 11 fig.
• Anne S. KORTEWEG, « Framing the issues, A codicological approach to Dutch border decoration », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 301-310, 4 fig.
• Thomas KREN, « Simon Bening, Juan Luis Vives, and the observation of nature », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 311-322, 6 fig.
• Anne-Marie LEGARE, « The reception of the Dresden Prayer Book Master in the Hainaut », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 323-330, 5 fig.
• Jean Michel MASSING, « Two portolan charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 331-335, 2 fig.
• Ruth MELLINKOFF, « Pilate's wife », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 337-341, 5 fig.
• Elizabeth J. MOODEY, « Historical identity in the Burgundian Netherlands, The role of manuscripts », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 343-351, 4 fig.
• William NOEL, « William de Brailes in Baltimore, Paris, and Stockholm », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 353-359, 5 fig.
• Judith OLIVER, « 'A bundle of myrrh', Passion meditation in French vernacular poems and images in some Liège psalters », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 361-371, 5 fig.
• Peter PARSHALL, « Penitence and pentimenti, Hieronymus Bosch's Mocking of Christ in London », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 373-379, 4 fig.
• Véronique PLESCH, « Sixteenth-century pictorial and dramatic religious cycles in the French Alps, Time for the Renaissance yet? », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 381-393, 8 fig.
• Lilian M.C. RANDALL, « To have and to hold, The bridal Hours of Isabelle de Coucy », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 395-404, 5 fig.
• Kathryn RUDY, « Fragments of a mental journey to a Passion park », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 405-419, 8 fig.
• Jochen SANDER, « Anmerkungen zu Jan Gossaert », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 421-430, 8 fig.
• Lucy Freeman SANDLER, « Bedford in Brooklyn », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 431-440, 9 fig.
• Gerhard SCHMIDT, « Die zwei Stile des 'Meister des Friedrichbreviers', Ein spätgotischer Buchmaler kopiert Stiche des Meisters E. S. », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 441-452, 11 fig.
• Diane SCILLIA, « The Master of the Tiburtine Sibyl's Raising of Lazarus (Mexico City, San Carlos Museum) and the early Haarlem School of Painting reconsidered », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 453-463, 5 fig.
• Larry SILVER, « 'Pox vobiscum', Early modern German art and Syphilis », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 465-476, 5 fig.
• Jeffrey Chipps SMITH, « Albrecht Dürer, cardinal Matthäus Lang, and the Throne of Invention », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 477-484, 5 fig.
• Robert SUCKALE, « Rogier van der Weydens Werkstatt, Zwei Fallbeispiele », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 485-493, 2 fig.
• Judith TESTA, « Simon Bening studies Raphael, The impact of the Italian high Renaissance on a Flemish miniaturist », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 495-504, 5 fig.
• Anne H. van BUREN, « A window on two duchesses of Burgundy », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 505-520, 10 fig.
• Hugo van der VELDEN, « A prayer roll of Henry Beauchamp, Earl of Warwick », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 521-549, 17 fig.
• Dominique VANWIJNSBERGHE, « Robert Campin et l'enluminure, Trois miniatures attribuables à l'entourage direct du peintre tournaisien », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 551-561, 6 fig.
• William VOELKLE, « Coins, mussels, and a crab in the Hours of Catherine of Cleves », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 563-565, 2 fig.
• Ursula WEEKES, « Engraving the mind, An illustrated rapiarium of the fifteenth century », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 567-575, 4 fig.
• Roger WIECK, « The Susanna Hours », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 577-584, 5 fig.
• W.C.M. WÜSTEFELD, « Manuscript painting in the circle of the Master of Catherine of Cleves (ca. 1435 - 60), Tradition and context of Utrecht, Museum Catharijneconvent, ms. ABM h15 », Tributes in Honor of James H. Marrow. Studies in painting and manuscript illumination of the late Middle Ages and Northern Renaissance, London, Harvey Miller, 2006, p. 585-599, 6 fig.

Description

679 p. : ill. ; 28 cm

ISBN

1-905375-08-5

Publication category

Mélanges

Type

Book

IRHT shelfmark

ICO. X 2228 (4°) [Condorcet 2.066, Etude]

Notes

Index. Bibliographie de James Marrow, p. 17-21.

Manuscripts in Initiale (0)

Keywords (3)

manuscrit enluminé

peinture

époque gothique