Bibliography

Reference

Susan L'ENGLE (éd.), Gerald B. GUEST (éd.), Tributes to Jonathan J.G. Alexander, Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006

in (35)

• Lilian ARMSTRONG, « A north Italian drawing of Hercules and Antaeus in a German incunable, Marco Zoppo (?) and drawings in Renaissance books », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 5-20, 10 fig.
• Benjamin DAVID, « Sites of confluence, The Master of the Yates Thompson Divine Comedy », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 21-32, 8 fig.
• Albinia C. DE LA MARE, Xavier VAN BINNEBEKE, « A list of books from the Florentine Braccio Martelli », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 35-67, 8 fig.
• Susan L'ENGLE, « Outside the canon, Graphic and pictorial digressions by artists and scribes », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 69-83, 8 fig.
• Lawrence NEES, « The Jonathan Gospels (Biblioteca Apostolica Vaticana, Cod. Pal. lat. 46) », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 85-98, 8 fig.
• Kathleen L. SCOTT, « The decorated letters of two Cotton manuscripts », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 99-110, 6 fig.
• Federica TONIOLO, Gennaro TOSCANO, « Per l'attività giovanile di Girolamo da Cremona », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 111-124, 11 fig.
• François AVRIL, « Les copies à répétition, A propos de la circulation et de la dissémination des modèles », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 127-140, 11 fig.
• Bezalel NARKISS, « Scribes and artists of the Ashburnham Pentateuch », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 141-158, 5 fig.
• Margot MC ILWAIN NISHIMURA, « The Grey Gospels, A Frankish curiosity in Cape Town », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 159-170, 8 fig.
• Myra Dickman ORTH, « The English Great Bible of 1539 and the French connection », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 171-184, 6 fig.
• Jane ROSENTHAL, Patrick MC GURK, « Author, symbol, and word, The inspired Evangelists in Judith of Flanders's Anglo-Saxon Gospel Books », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 185-202, 20 fig.
• Marina VIDAS, « Norway's French connection, The intended reader and subsequent owners of the Christina Psalter », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 203-212
• Madeline H. CAVINESS, « Unnatural spectacles, Aristotelian precepts, and the construction of gender around 1300 », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 215-232, 8 fig.
• Ruth MELLINKOFF, « Break a leg! », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 233-247, 8 fig.
• Lilian M.C. RANDALL, « Frontal heads in the Borders of Parisian and south Netherlandish Books of Hours, ca. 1415-60 », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 249-268, 8 fig.
• Lucy Freeman SANDLER, « Bared, The writing bear in the British Library Bohun Psalter », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 269-280, 9 fig.
• Walter CAHN, « An illuminated manuscript of Caesarius of Heisterbach's 'Dialogus miraculorum' », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 283-295, 7 fig.
• C. M. KAUFFMANN, « The iconography of the Judgment of Solomon in the Middle Ages », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 297-306, 5 fig.
• Giordana MARIANI CANOVA, « L'antico nella miniatura padovana del Rinascimento, Un Plutarco alla Stiftsbibliothek di Linköping », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 307-321, 9 fig.
• Nigel MORGAN, « Pictured sermons in thirteenth-century England », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 323-340, 10 fig.
• Nancy Freeman REGALADO, « Picturing the Story of Chivalry in Jacques Bretel's Tournoi de Chauvency (Oxford, Bodleian Library, MS Douce 308) », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 341-355, 6 fig.
• Kathryn A. SMITH, « Accident, play, and invention, Three Infancy Miracles in the Holkham Bible Picture Book », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 357-369, 8 fig.
• Alison STONES, « The 'Terrier de l'Evêque' and some reflections of daily life in the second half of the thirteenth century », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 371-384, 8 fig.
• Paul BINSKI, « John the Smith's grave », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 387-393
• Martha W. EASTON, « The wound of Christ, the mouth of hell, Appropriations and inversions of female anatomy in the later Middle Ages », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 395-414, 10 fig.
• Désirée KOSLIN, « Under the influence, Copying the "Revelaciones" of St. Birgitta of Sweden », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 415-427, 9 fig.
• Mary ROUSE, Richard ROUSE, « A cat can look at a king, An illustrated episode in the Grandes Chroniques », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 429-441, 4 fig.
• Evelyn BIRGE VITZ, « Liturgical versus Biblical citation in medieval vernacular literature », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 443-449, 1 fig.
• William M. VOELKLE, « Liberale da Verona's north wind unraveled », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 450-453
• Janet M. BACKHOUSE, « The case of Queen Melisende's Psalter, An historical investigation », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 457-470, 6 fig.
• Paul CROSSLEY, « Anglia perdita, English medieval architecture and Neo-Romanticism », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 471-485, 5 fig.
• Karen Eileen OVERBEY, « Locating the book, The Domnach Airgid shrine in medieval Ireland », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 486-495, 2 fig.
• Roger S. WIECK, « Papal fragments at the Rosenbach », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 497-507, 4 fig.
• « Bibliography of J. J. G. Alexander », Tributes to Jonathan J.G. Alexander. Making and Meaning in the Middle Ages and the Renaissance, Turnhout, London, Harvey Miller, 2006, p. 509-514

Description

2 vol., ca. 700 p. : ill. ; 28 cm

ISBN

978-1-872501-47-8

Publication category

Mélanges

Type

Book

IRHT shelfmark

ICO. X 2257 (4°), Condorcet 2.063 - fds Stirnemann

Notes

Bibliographie et index.

Manuscripts in Initiale (0)

Keywords (3)

manuscrit enluminé

Moyen Age

Renaissance