|
Autore |
Titolo |
Anno |
Genere |
Segnatura IRHT |
|
|
1
|
TEMPLE Elzbieta |
Anglo-Saxon manuscripts 900-1066 |
1976 |
Etude |
ICO. X 0351 (4°) [Condorcet 2.065, Cat mss] |
|
|
2
|
KAHN Deborah |
La sculpture romane en Angleterre, Etat des questions |
1988 |
Etude |
4° R 016 |
|
|
3
|
SANDLER Lucy Freeman |
Reflections on the Construction of Hybrids in English Gothic Marginal Illustration |
1981 |
Etude |
4° E 016 |
|
|
4
|
GIBSON Margaret (éd.), HESLOP T. A. (éd.) et PFAFF Richard W. (éd.) |
The Eadwine Psalter, Text, image, and monastic culture in twelfth-century Canterbury |
1992 |
Etude |
ICO. X 0079 (F°) |
|
|
5
|
OHLGREN Thomas H. |
Anglo-Saxon textual illustration, Photographs of sixteen manuscripts with descriptions and index |
1992 |
Catalogue de manuscrits |
ICO. X 1366 (4°) |
|
|
6
|
MORGAN Nigel |
Early gothic Manuscripts, II, 1250-1285 |
1988 |
Catalogue de manuscrits |
ICO. X 0053 (F°) [Condorcet 2.065, Cat mss] |
|
|
7
|
MORGAN Nigel |
Early gothic Manuscripts, I, 1190-1250 |
1982 |
Catalogue de manuscrits |
ICO. X 0031 (F°) [Condorcet 2.065, Cat mss] |
|
|
8
|
SCOTT Kathleen |
Design, Decoration and Illustration |
1989 |
Etude |
CFG (codico V, 125) |
|
|
9
|
DONOVAN Claire |
The de Brailes Hours, Shaping the book of hours in thirteenth century Oxford |
1991 |
Thèse ou mémoire |
CFG (codico Misc 024) |
|
|
10
|
FAURE Philippe |
Le sens initiatique des angélophanies dans la vie de Saint Cuthbert |
1994 |
Etude |
ICO. X br. 002 |
|
|
11
|
SCOTT Kathleen L. |
Later Gothic Manuscripts, 1390-1490 |
1996 |
Catalogue de manuscrits |
ICO. X 0088 (F°) [Condorcet 2.065, Cat mss] |
|
|
12
|
METZGER Wolfgang |
Das Stundenbuch Rom, Biblioteca Vaticana, Ms. Pal. lat. 537 und verwandte Handschriften, Studien zur englischen Buchmalerei 1330-1370 |
1994 |
Thèse ou mémoire |
ICO. X 1405 (8°) |
|
|
13
|
HASSIG Debra |
Medieval bestiaries, Text, image, ideology |
1995 |
Etude |
non |
|
|
14
|
LEWIS Suzanne |
Reading images, Narrative discourse and reception in the thirteenth-century illuminates Apocalypse |
1995 |
Etude |
ICO. X 1459 (4°) |
|
|
15
|
DESHMAN Robert |
The benedictional of Aethelwold |
1995 |
Etude |
ICO. X 1462 (4°) |
|
|
16
|
SAUER Christine et KUDER Ulrich (collab.) |
Die gotischen Handschriften der Württembergischen Landesbibliothek Stuttgart, Teil 1, Vom späten 12. bis zum frühen 14. Jahrhundert |
1996 |
Catalogue de manuscrits |
ICO. X 0055 (F°) [Condorcet 2.065, Cat mss] |
|
|
17
|
SANDLER Lucy Freeman |
The Psalter of Robert De Lisle in the British Library |
1983 |
Etude |
ICO. X 0796 (4°) |
|
|
18
|
DUFFY Eamon |
The stripping of the altars, Traditional religion in England, c. 1400 - c. 1580 |
1992 |
Etude |
ICO. X 1465 (8°) |
|
|
19
|
SANDLER Lucy Freeman |
Gothic manuscripts 1285-1385 |
1986 |
Catalogue de manuscrits |
ICO. X 0048 (F°) [Condorcet 2.065, Cat mss] |
|
|
20
|
ALEXANDER Jonathan J. G. (éd.) et BINSKI Paul (éd.) |
Age of Chivalry, Art in Plantagenet England, 1200-1400 |
1987 |
Catalogue d'exposition |
CFG (codico expo. 0472) |
|
|
21
|
CAMILLE Michael |
Visualising in the vernacular, A new cycle of early fourteenth century Bible illustrations |
1988 |
Etude |
non |
|
|
22
|
KELLY Kimberly |
Forgery, invention and propaganda, Factors behind the production of the Guthlac Roll, British Museum Harley Roll Y. 6 |
1989 |
Etude |
non |
|
|
23
|
MC GURK Patrick |
The golden age of Anglo-Saxon art, 966-1066, An exhibition at the British Museum, London, 1984-1985 |
1988 |
Etude |
ICO. X-4° R 089 |
|
|
24
|
MICHAEL M. A. |
Oxford, Cambridge and London, Towards a theory for "grouping" gothics manuscripts |
1988 |
Etude |
non |
|
|
25
|
MORGAN Nigel |
Matthew Paris, St. Albans, London and the leaves of St. Thomas Becket |
1988 |
Etude |
non |
|
|
26
|
MURATOVA Xenia |
Workshop methods in English late twelfth-century illumination and the production of luxury bestiaries |
1989 |
Etude |
ICO. X 1242 (8°) |
|
|
27
|
RANDALL Lilian M.C. |
An elephant in the litany, Further thoughts on an English Book of Hours in the Walters Art Gallery (W.102) |
1989 |
Etude |
ICO. X 1242 (8°) |
|
|
28
|
SANDLER Lucy Freeman |
Notes for the illuminator, The case of the Omne bonum |
1989 |
Etude |
4° R 003 |
|
|
29
|
MACREADY S. (éd.) et THOMPSON F.H. (éd.) |
Art and Patronage in the English Romanesque |
1986 |
Etude |
non |
|
|
30
|
TUNG Mason |
Fables in emblems, A study of Peacham's use of Aesop and Aesopics in Minerva Britanna |
1988 |
Etude |
ICO. X-8° R 279 |
|
|
31
|
LABORDE A. de |
Etude sur la Bible Moralisée illustrée, tome V |
1927 |
Etude |
ICO. X 0168 (4°) [Condorcet 2.066, Etude] |
|
|
32
|
HORST Koert van der (éd.), NOEL William (éd.) et WÜSTEFELD Wilhemina C.M. (éd.) |
The Utrecht Psalter in Medieval Art, Picturing the Psalms of David |
1996 |
Catalogue d'exposition |
ICO. X 1536 (4°) |
|
|
33
|
ZARNECKI George |
Deux reliefs de la fin du XIIe siècle à la cathédrale d'York |
1975 |
Etude |
4° R 020 |
|
|
34
|
WILLIBRORD WITTERS D. |
Les peintures de l'évangéliaire d'Aumont |
1976 |
Etude |
ICO. X 0016 (4°) |
|
|
35
|
SCHAEFER Claude |
La donation Wildenstein, Chefs-d'oeuvre de l'enluminure du XIIIe au XIVe siècles. Musée Marmottan |
1981 |
Etude |
4° R 014 |
|
|
36
|
HASSALL William O. |
Bestiaires d'Oxford |
1976 |
Etude |
ICO. X 0563 (4°) [Condorcet 2.065, TAP] |
|
|
37
|
BLUM Pamela Z. |
The Cryptic Creation Cycle in Ms. Junius XI |
1976 |
Etude |
4° R 083,
ICO. X 0015 (4°) |
|
|
38
|
MICHAEL Michael |
The Iconography of Kingship in the Walter of Milemete Treatise |
1994 |
Etude |
4° R 012 |
|
|
39
|
WITHERS Benjamin C. |
Present Partterns, Past Tense, Structuring History, Law and Society in London, British Library Cotton Claudius B. IV. |
- |
Thèse ou mémoire |
non |
|
|
40
|
ERIKSSON Torkel |
L'échelle de la perfection, Une nouvelle interprétation de la peinture murale de Chaldon |
1964 |
Etude |
4° R 027 |
|
|
41
|
DANBURY Elizabeth |
English and French artistic propaganda during the period of the Hundred Years War, Some evidence from royal charter |
1989 |
Etude |
non |
|
|
42
|
ZARNECKI George (éd.), HOLT Janet (éd.) et HOLLAND T. (éd.) |
English romanesque art, 1066-1200 |
1984 |
Catalogue d'exposition |
non |
|
|
43
|
RAW Barbara C. |
Anglo-Saxon Crucifixion iconography and the art of the monastic revival |
1990 |
Etude |
non |
|
|
44
|
HENDERSON George |
Abraham Genuit Isaac, Transitions from the Old Testament to the New Testament in the Prefatory Illustrations of Some 12th-Century English Psalters |
1987 |
Etude |
4° R 083 |
|
|
45
|
LEWIS Suzanne |
The Art of Matthew Paris in the Chronica majora |
1987 |
Etude |
commander ? |
|
|
46
|
BACKHOUSE Janet M. |
Illuminated manuscripts and the early development of the portrait miniature |
1989 |
Etude |
non |
|
|
47
|
SANDLER Lucy Freeman |
Omne bonum, a fourteenth-century encyclopedia of universal knowledge, British Library Mss 6 E VI - 6 E VII |
1996 |
Etude |
ICO. X 1529 (4°) |
|
|
48
|
KEMP Wolfgang |
The Narratives of Gothic Stained Glass |
1997 |
Etude |
ICO. X 1641 (8°) |
|
|
49
|
ALEXANDER Jonathan J. G. (éd.) |
Insular Manuscripts, 6th to the 9th Century |
1978 |
Etude |
ICO. X 0349 (4°) [Condorcet 2.065, Cat mss] |
|
|
50
|
HENDERSON George |
Studies in English Bible Illustration |
1985 |
Etude |
ICO. X 1004 (8°) |
|
